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2026 Horror Development Lab

Blood in the Snow Film Festival · Nov 16–21, 2026

Helping Advance Diversity in Genre

Blood in the Snow Film Festival was founded to push the boundaries of Canadian genre cinema, championing independent films and diverse voices for over a decade. Our programming prioritizes quality and representation — showcasing Indigenous, French-language, disability-led, and underrepresented narratives within an already underserved genre.


Canadian genre cinema still lacks meaningful representation. In response, we launched the Blood in the Snow Horror Development Lab, now in its 6th year as part of the 2026 Deadly Exposure Industry Conference — offering BIPOC, 2SLGBTQIA+, women, and underrepresented creators the resources, feedback, and industry connections to bring their projects from script to screen.


2026 Horror Development Lab Submissions

Each year, 12 underrepresented Canadian genre filmmakers are selected to develop their projects through the Lab — moving from short-form concepts toward features and series with real industry support behind them.


The Lab is designed to move projects forward. Participants work with established directors, producers, and broadcasters through workshops, market meetings, and industry sessions. By the end, you'll have sharper pitches, revised packages, real feedback, and meaningful connections — plus full access to Deadly Exposure and a screening pass to the Blood in the Snow Film Festival, November 16–21, 2026.


The Horror Lab participants will receive the following:

  • Filmmakers will receive advice and feedback on their short-to-feature pitches from established directors, producers, and broadcasters.
  • Industry leads will challenge the participants to push their vision through to the very end by identifying and navigating through any development obstacles and changes.
  • A curated itinerary including a focus on marketing and distribution, scheduled market meetings with attending industry advisors and leads, and short film screenings and pitch feedback.
  • Participants will leave with advice on how to revise their package and move forward with it.
  • Participants will leave with important film business insights and connections.
  • Industry/peer networking opportunities.
  • Participants will receive a free Screening & Industry Pass to attend the 2026 Blood in the Snow Film Festival + Deadly Exposure.

Who can apply?

  • Black
  • Indigenous, Métis or Inuit
  • Person of Colour
  • 2SLGBTQIA+* (Lesbian, Gay, Bisexual, Transgender, Queer, Questioning, Two-Spirit, Intersex, Asexual, and other identities that fall outside cisgender and heterosexual paradigms.)
  • Women*
  • Disabled (visible and invisible)*

* For all applicants, priority acceptance will be given to projects with BIPOC representation in front and behind the camera.

If you applied to the 2025 Horror Lab and did not make the program, you can apply again. Please do not apply again if you were accepted last year. You are, however, able to apply for the 2027 program.


The lead Lab participant also must:

  • Must be a Canadian citizen.
  • Must plan to shoot their film project primarily in Canada.
  • Must have completed at least one polished, completed short film (3 to 30 minutes in length).
  • Must feel that they are ready to make a feature film or web/TV series.
  • This is a HORROR development lab, so the film needs to be some type of "genre" project that is horror, sci-fi, action or thriller.

What do you need in your application?

All applications this year will be submitted through Film Freeway (opens in new tab) and must include the following:

  • At least one previous completed short film that is either its own project or a short done as proof of concept (under 30 minutes).
  • A three-page pitch book/proposal (in PDF) uploaded to Film Freeway describing the project. View pitch document guidelines.
  • A budget summary using this template.

I'm really interested in the lab, but I don't feel quite ready to take on a feature film or TV series just yet. Is there another way I might be able to get involved?

Yes, you can purchase a Deluxe Pass (opens in new tab) that will give you access to watch the micro lab panels (Nov 16 & 17) and watch the lab pitches (Nov 16). You can also attend all of the Deadly Exposure conference (Nov 19–21) and the entire festival line-up in the evenings November 16 to 21, 2026 at the Isabel Bader Theatre. This is strictly limited to only 25 people and is open to any filmmaker to purchase.


Other important details:

  • The attendee can be the Producer/Director and/or primary writer of the project and must have the full rights to the proposed project.
  • All rights remain with the filmmaker, and BITS has no proprietary interest in any of the projects.
  • Although the mentor lab will be conducted in English, Francophone, Indigenous language, and other language projects are welcome and encouraged.
  • Applicants must commit to attending the program in person from November 16 to 18, 2026, in Toronto, Canada. Deadly Exposure dates of November 19 to 21, 2026 are optional but encouraged.
  • Applicants must be Canadian citizens and reside in Canada.
  • Up to two people per project will be allowed to attend the program. The first person can attend free, but there will be a $100 fee if a second person attends.
  • You do not need to be an alumnus of the Blood in the Snow Film Festival to be part of the program.
  • You can apply for both the festival and the lab with the same application on Film Freeway (opens in new tab). There is an option when you apply for the lab to also be considered for the festival.
  • We strongly suggest that you upload a second version of your film on Film Freeway (opens in new tab) if it's already there, so that the file for your pitch isn't visible for your other festival submissions you may be doing.

Key Dates

April 1, 2026
Applications open.
October 1, 2026
Final application deadline.
October 15, 2026
Notification date to know if you were accepted.
November 16–21, 2026
Horror Development Lab in downtown Toronto. Three days of development and three days of intensive Deadly Exposure events (including panels and round tables). Your pass to the lab will also include a screening pass to all the films in the evenings.

2026 Deadly Exposure

Conference & Lab Team

We are thrilled to announce our Deadly Exposure industry conference and Lab coordination team for 2026!

Vanessa Magic

Development Coordinator, Horror Development Lab

Vanessa Magic

Vanessa Magic is a Canadian Screen Award-winning director and writer, and founder of Miss Magic Productions. Her genre-blending shorts have screened at festivals worldwide with support from the Canada Council and Ontario Arts Council. She's an alum of Slamdance, WBD Access, Women in the Director's Chair, and the 2023 BITS Development Lab.

@vanessaismagic (opens in new tab)

Emily Dix

Industry Coordinator, Deadly Exposure

Emily Dix

Emily Dix is a creative producer and director with 15 years in Toronto's theatre, film, and TV worlds. She's Artistic Executive Director of Bygone Theatre and runs The Bridge arts space. With a love for vintage style and true crime, her work blends bold creativity with unique storytelling.

@emilydixto (opens in new tab)

Shanice Bowrin

Lab/Industry Assistant

Shanice Bowrin

Shanice Bowrin is a Montreal-born actor, writer, and director whose work spans theatre, film, and audio storytelling. Her credits include Cocoa Butter Wishes, The Absurdity of the Black Female Experience, and Wacky Wednesdays. She brings a bold, multidisciplinary voice to genre media.

@shanicebowrin (opens in new tab)

Kelly Michael Stewart

Festival Director / Founder

Kelly Michael Stewart

Kelly Michael Stewart founded Blood in the Snow in 2012 and leads as Festival Director, promoting diverse Canadian genre film. A writer, producer, and film event host, he advocates for intersectional media representation. Identifying as Queer-polysexual, he amplifies underrepresented voices in the genre space.

@kellymichaelstewart (opens in new tab)

2026 BITS Horror Development Lab

Lab Leads

The Lab Leads support selected filmmakers, offering hands-on feedback to sharpen and strengthen their pitches.

Heather Buckley
Heather Buckley

Heather Buckley is a New Jersey-born producer, writer, and film preservationist with a deep love for horror. She's worked on special features for The Thing, Army of Darkness, and Saw, and produced the punk-horror hit The Ranger (SXSW/Shudder). Founder of Black Mansion and winner of the Winter Film Awards' "Patron of the Cinema," Heather is a longtime advocate for women in genre film.

@_heatherbuckley (opens in new tab)

Anelle Dehghani
Anelle Dehghani

Anelle Dehghani is a Toronto-based industry veteran and Head of Sales at The Coven, where she oversees international sales for genre titles including Terrifier 3. A former executive at Raven Banner and a mentor with Reelworld, she brings over a decade of experience in editing, acquisitions, and navigating global horror markets. Dehghani is known for championing bold, boundary-pushing voices in genre film.

@anelled (opens in new tab)

Rueben Martell
Rueben Martell

Rueben Martell is a Cree filmmaker from Waterhen Lake First Nation whose debut feature Don't Say Its Name played BITS and Fantasia. Having heard Cree tall tales from his grandmother from a young age, he was enamoured with the oral tradition of storytelling. Rueben is currently developing a TV series, RedWater, a feature film script, A Life Less Empty, and a feature film titled Tied.

@rueben306 (opens in new tab)

2026 BITS Horror Development Lab

Lab Jury

The Lab Jury reviews submissions and selects 12 standout filmmakers from across Canada to participate in the Lab.

Joanne Belluco
Joanne Belluco

Joanne Belluco is a bilingual, award-winning journalist and filmmaker based in Toronto, originally from France. A Hillman Prize winner and Prix Gémeaux finalist, she began her career at Studiocanal on global hits like Mulholland Drive. Her documentary The Terror Group premiered at Sitges. Joanne champions bold, diverse storytelling, with a focus on Francophone and genre voices.

@suspiriat.o (opens in new tab)

Joel H. Brewster
Joel H. Brewster

Joel H. Brewster is a Canadian horror and sci-fi screenwriter whose award-winning work has reached audiences on platforms like Amazon Prime, Tubi, and Spotify. Drawing inspiration from 1980s suspense and grounded in cinematic storytelling, his work blends nostalgia with fresh perspectives. Brewster is a rising voice in indie genre filmmaking, pushing boundaries and redefining what the genre can be.

@westcoaststrange (opens in new tab)

Theresa Cutknife
Theresa Cutknife

Theresa Cutknife (she/her) is an Alberta-born, Toronto-based actor, writer, and storyteller of Nêhiyaw and Puerto Rican descent, and a proud member of the Samson Cree Nation in Maskwacîs, Alberta, situated in Treaty 6 Territory. A graduate of the CBC Actors Conservatory and Soulpepper Academy, her storytelling honours Indigenous traditions while pushing genre boundaries on stage and screen.

@theresac_k (opens in new tab)

Raine Petrie
Raine Petrie

Raine Petrie (they/he) is a queer trans illustrator, writer, video editor, and film programmer based in London, Ontario. Their work explores homoeroticism and trans subtext in horror, new wave music, cult/exploitation cinema, and corn syrup blood. In addition to editing trailers and programming films for Hyland Cinema, Raine has contributed to Little White Lies, Gayly Dreadful, and In The Mood Magazine.

@mondosleazo (opens in new tab)

Chloe Navaretnam
Chloe Navaretnam

Chloe Navaretnam is a Toronto actor and visual artist whose films have screened at TIFF Next Wave's Open Screen, Regent Park Film Festival, New York Shorts International Film Festival, Emerging Lens, and Toronto Black Film Festival. A longtime festival coordinator and Submissions Coordinator at TIFF, she brings a sharp curatorial eye to emerging genre voices.

@chlostercoaster (opens in new tab)

This isn't just mentorship — it's your gateway to the industry. Are you ready to take your project to the next level?